On the first day of
photography class, my professor discussed the two areas of the course; first
was communication, and the other was creative art. He further highlighted that
photography not only revolved around the picture making process but more importantly
concerned on cause and meaning of the photo.
Applying these ideas, the 1994 Pulitzer Photograph can be very significant to
the course because it may serve as a perfect example of ‘real photography’.
It communicates. True that hunger and poverty in Africa has been a perennial
global problem and it has also become considerably old news. However, the
picture only reinforces that people should not forget their responsibility to
their fellow men and should also be aware that despite the convenience from
luxury the majority experience, other people still suffer from the most basic
problem.
It exudes
creativity. The photographer is obviously a professional because the picture
appears fine and conforms to the rules and technicalities of a good photograph.
Also, because it presents brilliance of idea, at the same time, candidness, the
shot can be considered as a contribution to the field of creative art.
The photo
shows a cause and is very meaningful. Somewhat similar with the message it
communicates is its cause which aims to expose the current situation African
people suffer from—great famine. In the picture, even though the child still
strives to survive from hunger, the vulture follows the child wherever he goes,
expecting anytime the boy shall die and after which it can scavenge over the
poor child’s body.
No wonder the 1994
Pulitzer Photograph receives a lot of acclaims because of its brilliance and
contribution to the world of art. Indeed, it works as a great inspiration for
photography course because it embodies communication, creative art, cause and
meaning that a real work of photography should have.
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